Model renderings: 10
Archival images: 0
Object catalog: 0
The white chapel was a small limestone bark shrine built by one of the earliest known kings to add to the temple of Amun-Ra at Karnak. The shrine has four interior pillars surrounded by a peristyle of twelve pillars. Its decoration records the jubilee (heb-sed) festival of Senusret I in raised relief. Some traces of yellow paint still exist on the structure's cornices; red, blue, and white paint traces can be found on the columns and hieroglyphs. The sunk relief scenes on the east and west sides of the chapel’s base depict personifications of the Nile, lakes and other chapels. The north and south sides of the base record the nomes (the regional areas of ancient Egypt) and their measurements. Now located in the Open Air Museum at Karnak, scholars debate where the temple once stood in Antiquity. During the Middle Kingdom, the shrine may have remained outside the temple’s inner enclosure wall. The building was oriented on a North-South direction, with a stepped ramp on each side.
Measurements: The columns all measure 2.6m height and are 0.6m across and 0.6m deep. The platform on which the columns rest is 1.2m high and almost square at 6.8m by 6.5m.
The white chapel may originally have functioned as a festival kiosk where the king could sit on a double thrown. Holes in the floor between the four central columns indicate the use of poles to hang banners hiding the king from the public eyes. One scholar has suggested that after the end of the jubilee festival, statues of the king were placed in the kiosk to sit on the double throne.
During the reign of 12th Dynasty kings Amenemhat III or Amenemhat IV, the white chapel was converted into a bark shrine. The altar within the chapel today (not shown on the model) is of rose granite and probably dates to this time. Despite the change in function, the shrine probably remained in its original location, later subsumed within the festival hall of Thutmose II.
Construction materials: limestone
The king dismantled the white chapel during his renovation of the area around the festival hall of Thutmose II and used it as fill in his newly constructed Pylon III.
The model of the white chapel was based on the plan and axial drawings of Carlotti (1995: pls. IX-X).
The white chapel was systematically photographed in the Open Air Museum so that each face of the building could be reconstructed on the model as it appears today at Karnak. A blank limestone pattern was added to the areas that could not be photographed. The layout of the reliefs and texts on the model reflects the actual layout of the stones in the white chapel today.
Carlotti, Jean-François (1995), “Contribution à l' étude métrologique de quelques monuments du temple d'Amon-Rê à Karnak.” Cahiers de Karnak, vol. X, 65-127.
Strauss-Seeber, Christine (1994), “Bildprogramm und Funktion der Weissen Kapelle in Karnak,” in Ägyptische Tempel-- Struktur, Funktion und Programm : Akten der Ägyptologischen Tempeltagungen in Gosen 1990 und in Mainz 1992. Hildesheim: Gerstenberg, 287-318.
Lacau, Pierre and Henri Chevrier (1956), Une chapelle de Sésostris Ier à Karnak. Le Caire: Institut français d'archéologie orientale du Caire.